Tuesday, August 30, 2011
The Road to John Day
I'm pretty sure I started this painting about 3 years ago. It is finally complete, thanks to my week o' lonelitude. It's amazing how much creative energy I have when my family is away. I think they will have to go away at least once a year so I can finish all my projects!
Wednesday, August 24, 2011
Fabric + Image--an idea whose time has come
Updated 8/30/11--completed the fabric portion. Now, I need to work on the image that is going to go over it. By the way, it probably took about 8 hours to get this silly thing done. At least.
Caticorn
by Isaac Yoder
Demo-Orange
How Collaborative Painting Works
Acrylic and rhinestone on canvas board
5 x 7 inches
by Moonka Minka, Jake Fabrycki, Anne J. Paris
This past year, my good buddy @moonkaminka turned me on to collaborative painting. We started a huge canvas at my house on a night when several friends were over. At least five different people worked on the painting, and when the night was done, so was the painting. I took it to school, where I got tons of positive feedback on it. That led me to have the kids make some collaborative paintings. When I get a chance, I will will post pics of those here. Meanwhile, here's a little 5 x 7 collaborative painting that has the following lineage:
I asked my high school students to make a painting in the style of the surrealists. One student, let's call him Jake (because that's his name), came up with a sketch of a town where people had melon heads, and they could shop for different heads at the melon store. He soon realized the size of the canvas was not going to accommodate his vision, so he switched to paper and pencil. I took the sketch and proceeded to fill in the large blocks with color. Then the school year ended. The other night, Moonka Minka was at my house, and I asked her to finish the painting. Here's the result.
The secret to collaborative painting is that you really cannot care about controlling the outcome, which can make it a good exercise in the artistic process, because ideally, we should not be worried about the finished product at ANY point in the creative process until it's time for signing and framing. Or actually maybe just when it's time for hanging.
Wednesday, September 30, 2009
We Have Cleared the Tower: Killing George Washington Is a Go!

Friday, September 11, 2009
What's new? An update summarizing all of this year so far!

Friday, January 23, 2009
The Road to John Day

Last spring I took a trip out to John Day, Oregon to research my book. On the drive out, I saw this amazing field of burned trees and flaming red willow bushes. I figure this painting still needs about 2 more good sessions to finish it up, but I like how it is progressing!
Golden Trout "Mini-Masterpiece"
When I saw these beautiful golden trout at Tony's Fish Market, I was more excited about painting them than eating them. But they turned out delicious too! I felt this painting was above my skill level--where I am really lacking is in the area of "verisimilitude." I could not, for the life of me, figure out how to make the white wrapping paper look crisp and papery. And that was a grave disappointment. However, for a cheeky little 2 1/2 x 3 1/2 painting, this'll do.
This will be gifted to my frien Barb Blumer when I get around to shipping it to her.
Wednesday, January 21, 2009
Sunday, January 18, 2009
Some Trailers from Gladstone
Dartmouth Road, Gladstone, OR
The sun was at a really bad angle for this one (above), but I think I got a pretty good shot of it. The owner came out to tell me he thought it was made in 1969, and he just had to do a little work on the inside. I think he was a little baffled by why I would be taking pics of his trailer.
Corner of Oatfield and Thiessen
I love the faux wood paneling on this one (above), but there was a car parked next to it that stopped me from getting a really good angle.
Friday, December 26, 2008
What Would Jesus Buy?

Then, this morning, I saw there was a film by Morgan Spurlock by the same title--that must have been somewhere in my subconsious when I titled the piece.
The picture here is cobbled together because my scanner is not big enough to scan the whole piece.
My dad is visiting and he liked the piece so I gifted it to him.
Tuesday, December 23, 2008
Snowed In
Amulet against Headaches
Mixed media on canvas with Easel

Amulet against Headaches
The second one is a larger collage (8 x 10) entitled "Father." It is a meditation on the competing conceptions of masculinity in our culture. Materials include vintage maps, dictionaries, a gocco print I made of the Tin Tin rocket, some instructions for rocket launches, metal studs, a heart, some wax. I really like the colors in this one.

Father
Mixed Media Collage
$45
Detail
Father
You can view these works in more detail on my etsy site for "serious" artwork:
http://ajparis.etsy.com/.
Friday, December 12, 2008
Blue Poppies
Update: I recently gifted this to my friend Margaret. It is now in her private collection.
More Inchie Paintings
Friday, December 05, 2008
A new blue trailer
Saturday, November 29, 2008
Some more trailers
Thursday, November 20, 2008
More Minis
Here is my favorite little trailer:
Trailer
3.5 x 2.5
And here are two views of the Oregon City Municipal Elevator:
Sunday, September 07, 2008
Oaks Park Skating Rink
Oaks Park Series
Acrylic on Canvas Board
11 x 14
Thursday, June 05, 2008
Kitchen at Kam Wah Chung: A New Painting
As some of you know, I'm writing a book of poetry that features the voices of 5 characters who settled the American West. One of those characters is Ing Hay, a Chinese immigrant who made his home in John Day, Oregon. In March, I took a trip to John Day to see his home, a store known as Kam Wah Chung.
Kam Wah Chung is now a museum. It was formerly a store, doctor's office, and pharmacopia run by Ing Hay and his business partner Lung On from about 1890-1950. These men were only teenagers when the arrived from Taishan County, ready to mine gold on "Gold Mountain." They arrived to find the gold mines largely played out, so Lung On turned his hand to business, and Ing Hay to medicine. They became business partners and lifelong friends.
Stepping into Kam Wah Chung is like stepping into history. The walls are lined with smoke-stained red paper, the shelves are lined with comestibles and herbal remedies from 100 years ago. I wasn't allowed to take flash photography, but the curator shone a flashlight on items I wanted to take pictures of.
This painting depicts the wok and tea kettle that Ing Hay used to prepare traditional Chinese food and drink for Lung On and their many boarders. Here is the photograph:
If you ever get a chance to visit Kam Wah Chung, you won't forget it.
Frist Apartment at Tivoli: A New Painting
On the banks of the Hudson River, in the heart of Dutchess County, New York, lies the little Village of Tivoli. This is where my sister chose to make her home during the first year of her marriage. This painting depicts two of the earliest possessions of that marriage--a pair of blue lawn chairs.
I love painting objects that are overlooked in life, but beautiful when objectified. The most challenging parts of this painting were rendering the chair material transparent, and making all of the lines of the chair legs line up properly. I always fall in love with my paintings, and this one is no exception.
Here, for your enjoyment, the painting in all of its various stages:
Above: I've roughed in the basic shapes and colors. I like it already.
Above: Things are starting to look solid. The chair lying on its side is wrong, all wrong.
Above: Okay, now we are getting somewhere. The chairs are starting to look like they are the same size.
Above: Almost done, just a few tweaks left to make. Man, getting those chair legs to line up properly was a b****.






